Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 121
... poetry , " but his ideal of pure poetry is not that it be purged of life - values , but rather that only certain life - values - those directly concerned with " the enduring world of things , " rather than moral reflections , for ...
... poetry , " but his ideal of pure poetry is not that it be purged of life - values , but rather that only certain life - values - those directly concerned with " the enduring world of things , " rather than moral reflections , for ...
Pagina 126
John Hospers. The poet's employment of language is more than symbolic . I think this point is sometimes lost sight of in discussions of poetry . It is said , for example , that the symbols ( words ) are iridescent rather than transparent ...
John Hospers. The poet's employment of language is more than symbolic . I think this point is sometimes lost sight of in discussions of poetry . It is said , for example , that the symbols ( words ) are iridescent rather than transparent ...
Pagina 200
... poetry to impart . We read De Rerum Natura as an imaginative synthesis , not as a document containing true or false ... poetry is used " to evoke an imaginative world ; as we have seen , the question of ultimate truth remains unanswered ...
... poetry to impart . We read De Rerum Natura as an imaginative synthesis , not as a document containing true or false ... poetry is used " to evoke an imaginative world ; as we have seen , the question of ultimate truth remains unanswered ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York