Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 88
... possible to contend , as Gurney does , that those who do not hear music " pure " are careless listeners , or " not really musical " ; but Sullivan points out that there are many highly trained musicians , as well as large numbers of ...
... possible to contend , as Gurney does , that those who do not hear music " pure " are careless listeners , or " not really musical " ; but Sullivan points out that there are many highly trained musicians , as well as large numbers of ...
Pagina 95
... possible precautions to avoid any such error by throwing out entirely all connections of music with life . They have in mind too , doubtless . the difficulty of what , if music " means anything , " it may be said to mean , and they are ...
... possible precautions to avoid any such error by throwing out entirely all connections of music with life . They have in mind too , doubtless . the difficulty of what , if music " means anything , " it may be said to mean , and they are ...
Pagina 154
... possible to select any and every detail , no matter how realistically unplea- sant , but to cover it with a romantic glaze - seeing everything through romantic lenses , as it were . But as a rule romanticism does both ; the two seem to ...
... possible to select any and every detail , no matter how realistically unplea- sant , but to cover it with a romantic glaze - seeing everything through romantic lenses , as it were . But as a rule romanticism does both ; the two seem to ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York