Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 23
... present at all , is more or less present , according to the degree of fidelity of the imitation . Subject - matter in this sense is definitely outside the work of art . It may also refer to ( 2 ) scenes , characters , and . events ...
... present at all , is more or less present , according to the degree of fidelity of the imitation . Subject - matter in this sense is definitely outside the work of art . It may also refer to ( 2 ) scenes , characters , and . events ...
Pagina 150
... present a strong analogy to a similar phenomenon in visual art , we may touch briefly at this point on the notion of ... present only what is perceptible through the visual medium - he cannot go beyond the visual sense - modality to ...
... present a strong analogy to a similar phenomenon in visual art , we may touch briefly at this point on the notion of ... present only what is perceptible through the visual medium - he cannot go beyond the visual sense - modality to ...
Pagina 153
... present " the whole unvarnished truth . " In other words , there is ( 1 ) a decision not to exercise selec- tion in what one transcribes , and ( 2 ) a decision to transcribe faithfully ( " objectively " ) those details which one does ...
... present " the whole unvarnished truth . " In other words , there is ( 1 ) a decision not to exercise selec- tion in what one transcribes , and ( 2 ) a decision to transcribe faithfully ( " objectively " ) those details which one does ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York