Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 158
... propositions , not of things ; indeed , a propo- sition is sometimes defined as " anything which can be said to be true or false . " >> 21 A proposition is not the same thing as a sentence ; a sentence only states or expresses a proposition ...
... propositions , not of things ; indeed , a propo- sition is sometimes defined as " anything which can be said to be true or false . " >> 21 A proposition is not the same thing as a sentence ; a sentence only states or expresses a proposition ...
Pagina 159
... propositions are true or false , and that sentences state or express propositions . Now the question is , can anything other than sentences express propositions ? Are words the only possible symbols by which propositions can be mediated ...
... propositions are true or false , and that sentences state or express propositions . Now the question is , can anything other than sentences express propositions ? Are words the only possible symbols by which propositions can be mediated ...
Pagina 160
... propositions , what propositions do they express ? In propositions , something is always asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to be making assertions at all ...
... propositions , what propositions do they express ? In propositions , something is always asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to be making assertions at all ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York