Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 34
... refer to ... " etc. But how could we give such a reply in the other cases ? What does middle C refer to ? What are the referents of the Beethoven C minor sonata ? Such questions , it seems to me , are as foolish as they sound . Musical ...
... refer to ... " etc. But how could we give such a reply in the other cases ? What does middle C refer to ? What are the referents of the Beethoven C minor sonata ? Such questions , it seems to me , are as foolish as they sound . Musical ...
Pagina 48
... refer to all kinds of evocation by music . Beethoven's music evokes definite moods and impressions , but we would ... refer to con- crete objects and events , it can refer only to evocation of the sub- jective kind I have mentioned , and ...
... refer to all kinds of evocation by music . Beethoven's music evokes definite moods and impressions , but we would ... refer to con- crete objects and events , it can refer only to evocation of the sub- jective kind I have mentioned , and ...
Pagina 66
... refer to definable expression when what is evoked is a state of feeling which at least approximately comes under the heading of one or another word referring to emotional states , we say that the work expresses that emotion : we say ...
... refer to definable expression when what is evoked is a state of feeling which at least approximately comes under the heading of one or another word referring to emotional states , we say that the work expresses that emotion : we say ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York