Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 22
... seen , there is no historical Odysseus - Odysseus is a character within the poem only . Subject- matter in this sense refers to whatever persons , objects , scenes , or events are depicted or represented in the work of art ...
... seen , there is no historical Odysseus - Odysseus is a character within the poem only . Subject- matter in this sense refers to whatever persons , objects , scenes , or events are depicted or represented in the work of art ...
Pagina 162
... seen that it is not the function of literature to assert truths about science or philosophy or any other subject - matter at all , and that as long as one judges a work of literature by whether or not it reveals facts in any domain of ...
... seen that it is not the function of literature to assert truths about science or philosophy or any other subject - matter at all , and that as long as one judges a work of literature by whether or not it reveals facts in any domain of ...
Pagina 185
... seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the things which are useful in any way put on more or less this cap of invisibility . It is ...
... seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the things which are useful in any way put on more or less this cap of invisibility . It is ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York