Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 10
... simply repeated , or it will become monotonous , nor can entirely different material be continually introduced , since then there would be no unity but only a bewildering succession of differences ; repetition must be repetition with a ...
... simply repeated , or it will become monotonous , nor can entirely different material be continually introduced , since then there would be no unity but only a bewildering succession of differences ; repetition must be repetition with a ...
Pagina 87
... simply of patterns - as though Bach at his most formal was ever less than sound- ing , moving , rhythmic , thrilling , acting upon the muscles and the breath and the blood.27 On the one hand the " pure " listener may possess on the ...
... simply of patterns - as though Bach at his most formal was ever less than sound- ing , moving , rhythmic , thrilling , acting upon the muscles and the breath and the blood.27 On the one hand the " pure " listener may possess on the ...
Pagina 109
... simply to " illustrate " a program ( as in the case of Beethoven's Battle Symphony ) ; the thick esthetic values are , so to speak , " fused " with the thin . Similarly in painting , when a painting simply depends on its subject ...
... simply to " illustrate " a program ( as in the case of Beethoven's Battle Symphony ) ; the thick esthetic values are , so to speak , " fused " with the thin . Similarly in painting , when a painting simply depends on its subject ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York