Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 5
... sometimes view things in this manner even in situations of personal danger when the practical attitude would seem to be almost inevitable . A fog at sea , for ex- ample , is normally an experience of great unpleasantness and even danger ...
... sometimes view things in this manner even in situations of personal danger when the practical attitude would seem to be almost inevitable . A fog at sea , for ex- ample , is normally an experience of great unpleasantness and even danger ...
Pagina 12
... sometimes a surface more esthetically rich and satisfying , even if sometimes less vivid and arrest- ing , than any mere separate sense elements . . . . but this surface is not the central life and significance of the arts any more than ...
... sometimes a surface more esthetically rich and satisfying , even if sometimes less vivid and arrest- ing , than any mere separate sense elements . . . . but this surface is not the central life and significance of the arts any more than ...
Pagina 39
... sometimes it is peculiar to one poet or even to one of his works , as , for example , the system of images in Othello as contrasted with that of King Lear ( discussed in essays by Caroline Spurgeon and G. Wilson Knight ) . Sometimes the ...
... sometimes it is peculiar to one poet or even to one of his works , as , for example , the system of images in Othello as contrasted with that of King Lear ( discussed in essays by Caroline Spurgeon and G. Wilson Knight ) . Sometimes the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York