Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 42
... sounds which are reducible to a musical scale , and in nature we find almost no sounds at all which are thus reducible . As Hanslick says : The systematic succession of measurable tones which we shall call melody is not to be met with ...
... sounds which are reducible to a musical scale , and in nature we find almost no sounds at all which are thus reducible . As Hanslick says : The systematic succession of measurable tones which we shall call melody is not to be met with ...
Pagina 119
... sounds ; nor is it even music , for music is minimally a pattern of musical sounds , different both sensorily and physically from spoken sounds . Important , then , as sound - beauty may be in verbal art , it is subordinate . Its office ...
... sounds ; nor is it even music , for music is minimally a pattern of musical sounds , different both sensorily and physically from spoken sounds . Important , then , as sound - beauty may be in verbal art , it is subordinate . Its office ...
Pagina 124
... sound , when taken by itself apart from its meaning , gives an impression of mere queerness . 82 The sounds of words , divorced from their meanings , will gen- erally have little effect upon the listener , and there are only a com ...
... sound , when taken by itself apart from its meaning , gives an impression of mere queerness . 82 The sounds of words , divorced from their meanings , will gen- erally have little effect upon the listener , and there are only a com ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York