Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 14
... speak in this way : instead of saying that we have certain experiences which we may denomi- nate " form - experiences , " we say that a work of art itself contains certain form - values ; instead of saying that a given piece of music ...
... speak in this way : instead of saying that we have certain experiences which we may denomi- nate " form - experiences , " we say that a work of art itself contains certain form - values ; instead of saying that a given piece of music ...
Pagina 18
... speak of form as present in the work . And when we speak of the " content of the poem , " we do not mean the poem itself , for we speak of " the content of the poem " and would never take this to mean " the poem of the poem . " Form ...
... speak of form as present in the work . And when we speak of the " content of the poem , " we do not mean the poem itself , for we speak of " the content of the poem " and would never take this to mean " the poem of the poem . " Form ...
Pagina 215
... speak the truth - but no one hears him , for the writer , with a golden pen , speaks foolishness and makes the people listen ; hence the writer is dangerous , and the moment he tries to " speak truth " his voice should be stilled . My ...
... speak the truth - but no one hears him , for the writer , with a golden pen , speaks foolishness and makes the people listen ; hence the writer is dangerous , and the moment he tries to " speak truth " his voice should be stilled . My ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York