Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 154
... terms " Classic " and " Classicism " are so loosely tossed about that any single definition would be arbitrary . Here are some other usages of the term : ( 1 ) What- ever deals with Greek or Roman themes is Classic , no matter when the ...
... terms " Classic " and " Classicism " are so loosely tossed about that any single definition would be arbitrary . Here are some other usages of the term : ( 1 ) What- ever deals with Greek or Roman themes is Classic , no matter when the ...
Pagina 163
... term here , we might possibly say that what is referred to by the first term of the relation in each of these cases is true - to what is referred to by the second term . 2. Aristotle , Poetics , 1451 b . This statement is so brief and ...
... term here , we might possibly say that what is referred to by the first term of the relation in each of these cases is true - to what is referred to by the second term . 2. Aristotle , Poetics , 1451 b . This statement is so brief and ...
Pagina 222
... term for at least one of them , since we have just used that term to apply to a class including both of them . In the third sense - reality as intensity or vividness - many , if not most , works of art are real for those who enjoy them ...
... term for at least one of them , since we have just used that term to apply to a class including both of them . In the third sense - reality as intensity or vividness - many , if not most , works of art are real for those who enjoy them ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York