Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 5
... things which do not touch us immediately and prac- tically . " This attitude , of course , cannot be our usual and normal one . Nevertheless , we do sometimes view things in this manner even in situations of personal danger when the ...
... things which do not touch us immediately and prac- tically . " This attitude , of course , cannot be our usual and normal one . Nevertheless , we do sometimes view things in this manner even in situations of personal danger when the ...
Pagina 185
... things . This point is brought out in a very remarkable manner by Roger Fry : The needs of our actual life are so imperative , that the sense of vision becomes highly specialized in their service . With an admirable economy we learn to ...
... things . This point is brought out in a very remarkable manner by Roger Fry : The needs of our actual life are so imperative , that the sense of vision becomes highly specialized in their service . With an admirable economy we learn to ...
Pagina 235
... thing we are in a position to state some things about it just by looking at it , then this is true ; this is knowledge . But it is more than mere awareness . Through mere awareness of the blue sky do we come to know what " blue " really ...
... thing we are in a position to state some things about it just by looking at it , then this is true ; this is knowledge . But it is more than mere awareness . Through mere awareness of the blue sky do we come to know what " blue " really ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York