Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 142
... Truth as acceptability . " The ' truth ' of Robinson Crusoe is the acceptability of the things we are told , their acceptability in the interests of the effects of the narrative , not their correspondence with any actual facts involving ...
... Truth as acceptability . " The ' truth ' of Robinson Crusoe is the acceptability of the things we are told , their acceptability in the interests of the effects of the narrative , not their correspondence with any actual facts involving ...
Pagina 162
John Hospers. 6 " Artistic Truth " THE SORT OF TRUTH we have been discussing thus far is the truth of assertions and might be called " propositional truth , " or truths stating facts about some subject - matter or other . And we have al ...
John Hospers. 6 " Artistic Truth " THE SORT OF TRUTH we have been discussing thus far is the truth of assertions and might be called " propositional truth , " or truths stating facts about some subject - matter or other . And we have al ...
Pagina 208
John Hospers. 7 The Artistic Relevance of Truth I WE HAVE NOW SPENT considerable time in considering the various senses in which what we call " truth " may be said to be presented in works of art . We discussed first of all " truth ...
John Hospers. 7 The Artistic Relevance of Truth I WE HAVE NOW SPENT considerable time in considering the various senses in which what we call " truth " may be said to be presented in works of art . We discussed first of all " truth ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York