Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 116
... universal and essential quality of art , significant form , was missing , or rather had dwindled to a shallow stream , overlaid and hidden beneath weeds , so the universal response , esthetic emotion , was not evoked . It was not till ...
... universal and essential quality of art , significant form , was missing , or rather had dwindled to a shallow stream , overlaid and hidden beneath weeds , so the universal response , esthetic emotion , was not evoked . It was not till ...
Pagina 163
... universal truth , history about particular . In what manner , for example , any person of a certain char- acter would speak or act , probably or necessarily — this is universal ; and this is the object of poetry . But what Alcibiades ...
... universal truth , history about particular . In what manner , for example , any person of a certain char- acter would speak or act , probably or necessarily — this is universal ; and this is the object of poetry . But what Alcibiades ...
Pagina 194
... universal . Perhaps the essence he captures is true - to his own vision - it probably is ; but it is not the truth - to his own vision that is important ; what is important is that his vision is and can be the vision of others — that he ...
... universal . Perhaps the essence he captures is true - to his own vision - it probably is ; but it is not the truth - to his own vision that is important ; what is important is that his vision is and can be the vision of others — that he ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York