Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 7
... usage of the term " esthetic " would indicate that it means at least what I have described , and that whatever else ... usage , and contrasted them with other examples which would not be called esthetic on any conceivable criterion ...
... usage of the term " esthetic " would indicate that it means at least what I have described , and that whatever else ... usage , and contrasted them with other examples which would not be called esthetic on any conceivable criterion ...
Pagina 145
... usage , " or " what we ordinarily mean when we use the word , " except that what we ordinarily mean is unfortunately not itself unambiguous . Never- theless , I do not want to wrench the word out of its usual connota- tions ...
... usage , " or " what we ordinarily mean when we use the word , " except that what we ordinarily mean is unfortunately not itself unambiguous . Never- theless , I do not want to wrench the word out of its usual connota- tions ...
Pagina 205
... usage of the word " true " in the sense of " true - to " seems to be fairly clear , and does not , I think , have to be learned after we have learned what the usage of the word in the other ( truth - about ) sense is . This in itself ...
... usage of the word " true " in the sense of " true - to " seems to be fairly clear , and does not , I think , have to be learned after we have learned what the usage of the word in the other ( truth - about ) sense is . This in itself ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York