Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 87
... whole.28 I think the main tenor of these remarks is clear ; all of them in- sist that music is somehow related to life and does not inhabit a world apart , although the precise nature and extent of the relation may be extremely ...
... whole.28 I think the main tenor of these remarks is clear ; all of them in- sist that music is somehow related to life and does not inhabit a world apart , although the precise nature and extent of the relation may be extremely ...
Pagina 108
... whole ; and it is as a whole , as an organization of forms , that a work of art provokes the most tremendous emotions . " - ( Clive Bell , Art , pp . 225-26 . ) 56. Bernhard Berenson defines illustrational painting as follows ...
... whole ; and it is as a whole , as an organization of forms , that a work of art provokes the most tremendous emotions . " - ( Clive Bell , Art , pp . 225-26 . ) 56. Bernhard Berenson defines illustrational painting as follows ...
Pagina 210
... whole effect would be destroyed if any element in the painting were altered . And all this may be true enough , but this cannot be the criterion for determining the relevance of these elements to the works as works of art , for would ...
... whole effect would be destroyed if any element in the painting were altered . And all this may be true enough , but this cannot be the criterion for determining the relevance of these elements to the works as works of art , for would ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York