Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 76
... words have several meanings ( referents ) and are called ambiguous words — in these cases we learn their multiple meanings ; this is true of the word " meaning " along with thousands of other words . This word has a meaning when applied ...
... words have several meanings ( referents ) and are called ambiguous words — in these cases we learn their multiple meanings ; this is true of the word " meaning " along with thousands of other words . This word has a meaning when applied ...
Pagina 124
... words in it refer to . If one is able to pronounce the words of the language in which the poem is written , one can enjoy it for its sounds alone , without knowing the meanings ( by which is meant , of course , referential meanings ) ...
... words in it refer to . If one is able to pronounce the words of the language in which the poem is written , one can enjoy it for its sounds alone , without knowing the meanings ( by which is meant , of course , referential meanings ) ...
Pagina 125
... words must be known even down to their finest shades , beyond what is required in ordinary discourse . The inability of immigrants to grasp the spirit of contemporary Amer- ican poetry , even though they " know in general what the words ...
... words must be known even down to their finest shades , beyond what is required in ordinary discourse . The inability of immigrants to grasp the spirit of contemporary Amer- ican poetry , even though they " know in general what the words ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York