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" There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces. He was alone, and I before him did not know whether I stood on the ground or floated in the... "
Youth: And Two Other Stories - Pagina 164
di Joseph Conrad - 1903 - 381 pagine
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Youth: And Two Other Stories

Joseph Conrad - 1903 - 381 pagine
...incredible degradation. There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man ! he had kicked...what we said — repeating the phrases we pronounced, i — but what's the good ? They were common everyday words, — the familiar, vague sounds exchanged...
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Complete Works, Volume 16

Joseph Conrad - 1903
...the man! he had HckfH* th p very earthrtojneces. He was alone, and I before him did not know wEether I stood on the ground or floated in the air. I've been telling you what we said—repeating the phrases we pronounced—but what's the good? They were common everyday words—the...
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The Living Age ..., Volume 226

1900
...incredible degradation. There was nothing either above or below him, and I knew It. He had kicked himself loose of the earth, confound the man! He had kicked...telling you what we said— repeating the phrases we pronounced—but what's the good? They were common, every-day words, the familiar, vague sounds exchanged...
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Heart of Darkness and The Secret Sharer

Joseph Conrad - 2004 - 208 pagine
...incredible degradation. There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked...He was alone, and I before him did not know whether 1 stood on the ground or floated in the air. I've been telling you what we said — repeating the phrases...
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The Supporting Cast: A Study of Flat and Minor Characters

David Galef - 1989 - 244 pagine
...toward Kurtz, one even senses admiration in the original sense of the word, having to do with a miracle: "He was alone, and I before him did not know whether I stood on the ground or floated in the air" (144). For most of the confrontation, however, Marlow is presented with the "shade of the original...
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Conrad's Fiction as Critical Discourse

Richard Ambrosini - 1991 - 253 pagine
...incomprehensible mystery."2 In The Great Tradition, Leavis springs at Marlow's comments, "I've been . . . repeating the phrases we pronounced - but what's the good? They were common everyday words" (144), with a sort of saturnine elan: "What's the good, indeed? If he cannot through the concrete presentment...
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The Subject of Modernism: Narrative Alterations in the Fiction of Eliot ...

Tony E. Jackson - 1994 - 209 pagine
...name of anything high or low . . . There was nothing either above or below him — and I knew it ... He was alone — and I before him did not know whether I stood on the ground or floated in the air. (65) At this most intense moment, Kurtz remains a being, but Marlow cannot certainly refer to him as...
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Beyond the Psychoanalytic Dyad: Developmental Semiotics in Freud, Peirce ...

John P. Muller - 1996 - 230 pagine
...high or low . . .There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces. He was alone, and before him I did not know whether I stood on the ground or floated in the air." (1899, p. 67) But the...
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Solitude Versus Solidarity in the Novels of Joseph Conrad: Political and ...

Ursula Lord - 1998 - 358 pagine
...incredible degradation. There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces" (107). Kurtz enacts a final stand of radical individuality in defiance of the deadly conformity required...
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The Fate of the Earth: And, The Abolition

Jonathan Schell - 2000 - 417 pagine
...further comments, 'There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces." This foreboding of annihilation was no incidental feature of the work; it returns several times, always...
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