Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 19 set 2006 - 320 pagine Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dall'interno del libro
... Hegel and the Freedom of Moderns , trans . Marella Morris and Jon Morris [ Durham and London : Duke University Press , 2004 ] , p . 179 ) . 35. Hamlet , 5.1.203–4 . All citations from Shakespeare are from the editions in The Riverside ...
... Hegel and the Freedom of Moderns . Trans . Marella Morris and Jon Morris . Durham : Duke University Press , 2004 . Lotman , Iu . M. “ Blok i narodnaia kul'tura goroda . " In Nasledie A. Bloka i aktu- al'nye problemy poetiki ( Blokovskii ...
Sommario
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Copyright | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Anteprima limitata - 2006 |
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