A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina 167
... moral worth , on the contrary , are always based , when they are positive , upon the consciousness of benefits probably in- volved . Both these distinctions need some elucidations . Hedonistic ethics have always had to struggle against ...
... moral worth , on the contrary , are always based , when they are positive , upon the consciousness of benefits probably in- volved . Both these distinctions need some elucidations . Hedonistic ethics have always had to struggle against ...
Pagina 412
... moral values enter into art . For in spite of the hedonists ' efforts like that of the early Santayana to separate morality from art as something purely negative , or , like that of Pater to seek to identify moral and esthetic values ...
... moral values enter into art . For in spite of the hedonists ' efforts like that of the early Santayana to separate morality from art as something purely negative , or , like that of Pater to seek to identify moral and esthetic values ...
Pagina 546
... Morality and Literary Criticism . ” JAAC 33 ( 1975 ) . Foot , Phillipa . Morality and Art . London : Oxford , 1970 . Grossman , Morris . " Art and Morality . " JAAC 31 ( 1973 ) . Kolnai , Aurel . " Aesthetic and Moral Experience : The ...
... Morality and Literary Criticism . ” JAAC 33 ( 1975 ) . Foot , Phillipa . Morality and Art . London : Oxford , 1970 . Grossman , Morris . " Art and Morality . " JAAC 31 ( 1973 ) . Kolnai , Aurel . " Aesthetic and Moral Experience : The ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York