Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureLund Humphries, 1979 - 271 pagine |
Dall'interno del libro
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Pagina 140
... Stijl painting . One could also sense a certain Japanese lightness and feel the probable effect of some of Wright's early projects , as well as of contemporary artistic movements such as Constructivism and Cubism . 5. It symbolized the ...
... Stijl painting . One could also sense a certain Japanese lightness and feel the probable effect of some of Wright's early projects , as well as of contemporary artistic movements such as Constructivism and Cubism . 5. It symbolized the ...
Pagina 153
... Stijl painting - a point of view consistently held by critics was repeatedly rejected by Mies as ' absolute nonsense ' ( Blake , 1961 ) . But this did not deter people from perceiving the relationship . - Sometimes , architects ...
... Stijl painting - a point of view consistently held by critics was repeatedly rejected by Mies as ' absolute nonsense ' ( Blake , 1961 ) . But this did not deter people from perceiving the relationship . - Sometimes , architects ...
Pagina 162
... Stijl influence . He classified the Pavilion as a De Stijl building , and Mies as a De Stijl architect · a stance which was followed , with very minor reservations , by Dorfles ( 1954 ) . By comparing Zevi's interpreta- tion with ...
... Stijl influence . He classified the Pavilion as a De Stijl building , and Mies as a De Stijl architect · a stance which was followed , with very minor reservations , by Dorfles ( 1954 ) . By comparing Zevi's interpreta- tion with ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed Doesburg emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies Mies's modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi