Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureLund Humphries, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 29
... becomes obsolete it may be ' de - semanticized ' ; it loses its meaning and its usage may be abandoned . " Abandoning a form , however , is a rare event in the history of design . Once a form is established and has become familiar to a ...
... becomes obsolete it may be ' de - semanticized ' ; it loses its meaning and its usage may be abandoned . " Abandoning a form , however , is a rare event in the history of design . Once a form is established and has become familiar to a ...
Pagina 46
... become worthy of the name of architecture only if they truly interpret their time ... ( Mies , 1924 ) . The new era ... become signals . Their forms would become increasingly more schematic , simplified , and distorted , and the ...
... become worthy of the name of architecture only if they truly interpret their time ... ( Mies , 1924 ) . The new era ... become signals . Their forms would become increasingly more schematic , simplified , and distorted , and the ...
Pagina 49
... become signals , and these will become out - worn and then be re - semanticized . Any architectural movement which tries to violate this principle is condemned to be short - lived . A movement cannot subsist if its apostles denounce ...
... become signals , and these will become out - worn and then be re - semanticized . Any architectural movement which tries to violate this principle is condemned to be short - lived . A movement cannot subsist if its apostles denounce ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed Doesburg emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies Mies's modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi