Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureLund Humphries, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 140
... walls . 2. The design explored the expressive possibilities of what was to be called the free plan . Walls were arranged with no restrictions , asymmetrically , in contrast with the regularity of the columns supporting the roof . The ...
... walls . 2. The design explored the expressive possibilities of what was to be called the free plan . Walls were arranged with no restrictions , asymmetrically , in contrast with the regularity of the columns supporting the roof . The ...
Pagina 164
... walls were made from Roman travertine , the walls around the pool were green marble ; the free - standing onyx partition in the hall was a treasure in itself . For the transparent partitions , Mies van der Rohe used grey glass in the ...
... walls were made from Roman travertine , the walls around the pool were green marble ; the free - standing onyx partition in the hall was a treasure in itself . For the transparent partitions , Mies van der Rohe used grey glass in the ...
Pagina 192
... walls , thus providing a great deal of flexibility in the interior spatial division . The entire upper floor can be utilized as one large space , served by a staircase in the middle ; but it can also be divided into a separate hall and ...
... walls , thus providing a great deal of flexibility in the interior spatial division . The entire upper floor can be utilized as one large space , served by a staircase in the middle ; but it can also be divided into a separate hall and ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
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1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed Doesburg emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies Mies's modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi