Split Screen: Belgian Cinema and Cultural Identity
SUNY Press, 1 gen 2001 - 251 pagine
In presenting the first English language study of Belgian cinema, Split Screen explores the fascinating history of a cinema largely determined by linguistic division and beset by problems of cultural identity. This "split screen" characterizes the Belgian cinema, which has not received the critical praise that it deserves, despite the recent international successes of films like Toto the Hero, and the achievements of individual directors such as Henri Storck, André Delvaux, and Chantal Akerman. In surveying the evolution of Belgian cinema from its beginnings to the present day, Philip Mosley locates all the major feature films, describes the crucial intervention of the state in film production, and reveals undervalued Belgian traditions in documentary, in animation, in short films, and in a colonial cinema created partly by missionaries in the former Belgian Congo. Due to the political and economic transformations affecting Europe, the reforms of the Belgian state, and the increasing globalization of world media industries, Belgian cinema can now inscribe itself within new national and international contexts.
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actors American Andre Delvaux Antwerp artistic audience audiovisual auteurist Belfilm Belgian animation Belgian cinema Belgian feature Belgian film Belgian filmmakers Belgium Belvision bicultural Borinage box-office broadcasting Brussels collaboration colonial cinema comic commercial Congo coproduction critical cultural identity Dekeukeleire Delvaux directors distribution documentary dominant Dutch early economic especially established ethnolinguistic European feature production festival film culture film industry film production filmmakers Flanders Flemish cinema Flemish Community foreign France francophone French Community gian gium Hendrik Conscience Henri Storck Hert Hollywood images instance interest Jungblut language Leboutte linguistic communities Meyst million franks Ministry national cinema nonetheless notably novel official Paul Delvaux percent period political popular postwar projects regional Rendez-vous a Bray Robbe De Hert Royal Film Archive RTBF Schoukens screenplay sector shot Storck studio style subsidy success television theaters tion traditional unity Wallonia Walloon Walloon regional