A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 20
... able only under the assumption of a difference of natural talents , of a scale of abilities . Since the development of higher civilization , the more gifted or cultivated individual has always found in his superiority a special stimulus ...
... able only under the assumption of a difference of natural talents , of a scale of abilities . Since the development of higher civilization , the more gifted or cultivated individual has always found in his superiority a special stimulus ...
Pagina 175
... able to formulate them . Feelings or impressions , then , pass by means of words from the obscure region of the soul into the clarity of the contemplative spirit . It is impossible to distinguish intuition from ex- pression in this ...
... able to formulate them . Feelings or impressions , then , pass by means of words from the obscure region of the soul into the clarity of the contemplative spirit . It is impossible to distinguish intuition from ex- pression in this ...
Pagina 345
... able to see the work of art . The misfortunes of Tristan are only such , and consequently they will be able to move us in so far as they may be taken for reality . But the artistic object is artistic only in so far as it is not real ...
... able to see the work of art . The misfortunes of Tristan are only such , and consequently they will be able to move us in so far as they may be taken for reality . But the artistic object is artistic only in so far as it is not real ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words