A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxxi
... called ) loses by his iso- lation and corresponding pride , and by the emasculation of his art , no longer conceived as intellectual , but only as emotional in motivation and significance ; the workman ( to whom the name of artist is ...
... called ) loses by his iso- lation and corresponding pride , and by the emasculation of his art , no longer conceived as intellectual , but only as emotional in motivation and significance ; the workman ( to whom the name of artist is ...
Pagina 457
... called a good in itself , or that strange thing an end in itself . But on both sides it is true that in being pre- eminently fructifying the things designated means are im- mediate satisfactions . They are their own excuses for being ...
... called a good in itself , or that strange thing an end in itself . But on both sides it is true that in being pre- eminently fructifying the things designated means are im- mediate satisfactions . They are their own excuses for being ...
Pagina 461
... called means remain external and servile , and so - called ends are enjoyed objects whose further causative status is unper- ceived , ignored or denied , the situation consists of affairs in which the problem has not been solved ...
... called means remain external and servile , and so - called ends are enjoyed objects whose further causative status is unper- ceived , ignored or denied , the situation consists of affairs in which the problem has not been solved ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words