A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 48
... cause . 14 We are now approaching the end of our inquiry . The joy in being a cause having culminated in the highest and most refined of pleasurable feelings - namely , in that of liberty - we find here the deep significance of that ...
... cause . 14 We are now approaching the end of our inquiry . The joy in being a cause having culminated in the highest and most refined of pleasurable feelings - namely , in that of liberty - we find here the deep significance of that ...
Pagina 49
... cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . I have throughout this whole treatise spoken not of the idea but of the feeling of being a cause . A conscious ...
... cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . I have throughout this whole treatise spoken not of the idea but of the feeling of being a cause . A conscious ...
Pagina 86
... caused as much by the good or evil fortunes of others as by his own ; as , besides , he pos- sesses in a very high degree the faculty of combining series of fictitious facts , and of representing them in ... cause , 86 EMOTIONALIST THEORIES.
... caused as much by the good or evil fortunes of others as by his own ; as , besides , he pos- sesses in a very high degree the faculty of combining series of fictitious facts , and of representing them in ... cause , 86 EMOTIONALIST THEORIES.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words