A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xiv
... contemplation , since his own activity is creative like all interpretative art . From the standpoint of the artist and also from the standpoint of the contemplator , art is the expression of values - though we should distinguish between ...
... contemplation , since his own activity is creative like all interpretative art . From the standpoint of the artist and also from the standpoint of the contemplator , art is the expression of values - though we should distinguish between ...
Pagina 288
... contemplation . Attention is not aware of itself ; it is directed outward to the object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of ...
... contemplation . Attention is not aware of itself ; it is directed outward to the object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of ...
Pagina 303
... contemplation , any more than my own sense - feelings so exist . What I immediately in- tuit in the plastic form is its willing , the power , the pride . Only this lies for my contemplation immediately in the con- templated object . And ...
... contemplation , any more than my own sense - feelings so exist . What I immediately in- tuit in the plastic form is its willing , the power , the pride . Only this lies for my contemplation immediately in the con- templated object . And ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words