A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 98
... direct ob- servation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose person- ality is so lively and excitable that it spontaneously trans- forms everything , dyeing them in its own ...
... direct ob- servation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose person- ality is so lively and excitable that it spontaneously trans- forms everything , dyeing them in its own ...
Pagina 406
... direct : ornament flourished in the utilities of life , flour- ished often perversely and extravagantly , but one looks for it in vain among the machines pictured by Agricola or Besson or the Italian engineers : they are as direct and ...
... direct : ornament flourished in the utilities of life , flour- ished often perversely and extravagantly , but one looks for it in vain among the machines pictured by Agricola or Besson or the Italian engineers : they are as direct and ...
Pagina 469
... direct perception of the concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to ...
... direct perception of the concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words