A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina xxiv
... distinguished from science as a vision of what is unique is distinguished from a summary of what is general . Artists express what is absolutely individual ; unlike the scientists , they are intuitive , not intellectual . The nature of ...
... distinguished from science as a vision of what is unique is distinguished from a summary of what is general . Artists express what is absolutely individual ; unlike the scientists , they are intuitive , not intellectual . The nature of ...
Pagina 141
... distinguished from the perception of beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from ...
... distinguished from the perception of beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from ...
Pagina 157
... distinguished from sensation , conceptual knowledge , pleas- ure , and practical activity , including morals . Another philosopher of world - wide repute , HENRI BERG- SON ( 1859- ) , has similarly contrasted intellect and in- tuition ...
... distinguished from sensation , conceptual knowledge , pleas- ure , and practical activity , including morals . Another philosopher of world - wide repute , HENRI BERG- SON ( 1859- ) , has similarly contrasted intellect and in- tuition ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words