A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 84
... emotion ( like Wordsworth's " emo- tion remembered in tranquillity " ) . In comparison with Véron , Tolstoy presents a more anti - hedonistic and moral interpretation of art . In doing so , he has mingled two ideas which have nothing ...
... emotion ( like Wordsworth's " emo- tion remembered in tranquillity " ) . In comparison with Véron , Tolstoy presents a more anti - hedonistic and moral interpretation of art . In doing so , he has mingled two ideas which have nothing ...
Pagina 254
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
Pagina 260
... emotions and form that does not - by saying that significant form conveys to us an emotion felt by its creator and that beauty conveys nothing . For what , then , does the artist feel the emotion that he is supposed to express ...
... emotions and form that does not - by saying that significant form conveys to us an emotion felt by its creator and that beauty conveys nothing . For what , then , does the artist feel the emotion that he is supposed to express ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words