A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 55
... example , in the play - theory of Schiller and Lipps , was FRIEDRICH NIETZSCHE ( 1844-1900 ) . " What does all art do ? " he asks in the Twilight of the Gods . " Does it not praise ? Does it not glorify ? Does it not select ? Does it ...
... example , in the play - theory of Schiller and Lipps , was FRIEDRICH NIETZSCHE ( 1844-1900 ) . " What does all art do ? " he asks in the Twilight of the Gods . " Does it not praise ? Does it not glorify ? Does it not select ? Does it ...
Pagina 101
... example : one man laughs , and another , who hears , becomes merry ; or a man weeps , and another , who hears , feels sorrow . A man is excited or irritated , and another man , seeing him , comes to a similar state of mind . By his ...
... example : one man laughs , and another , who hears , becomes merry ; or a man weeps , and another , who hears , feels sorrow . A man is excited or irritated , and another man , seeing him , comes to a similar state of mind . By his ...
Pagina 469
... example . What we want is to draw out habits of esthetic apprehension . According to the metaphysical doctrine which I have been developing , to do so is to increase the depth of individual- ity . The analysis of reality indicates the ...
... example . What we want is to draw out habits of esthetic apprehension . According to the metaphysical doctrine which I have been developing , to do so is to increase the depth of individual- ity . The analysis of reality indicates the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words