A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 66
... existence . Metaphysics , morality , religion , science - in this book , all these things are regarded merely as ... existence . He himself is indeed a piece of reality , of truth , of nature : how could he help being also a piece of ...
... existence . Metaphysics , morality , religion , science - in this book , all these things are regarded merely as ... existence . He himself is indeed a piece of reality , of truth , of nature : how could he help being also a piece of ...
Pagina 136
... existence , of the real excellence that is without . But this notion is radically absurd and contradictory . Beauty , as we have seen , is a value ; it cannot be conceived as an independent existence which affects our senses and which ...
... existence , of the real excellence that is without . But this notion is radically absurd and contradictory . Beauty , as we have seen , is a value ; it cannot be conceived as an independent existence which affects our senses and which ...
Pagina 325
... existence of the body , especially to sexual matters , lies normally below the Distance - limit , and can be touched upon by Art only with special precautions . Allusions to social institutions of any degree of personal importance - in ...
... existence of the body , especially to sexual matters , lies normally below the Distance - limit , and can be touched upon by Art only with special precautions . Allusions to social institutions of any degree of personal importance - in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words