A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 160
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical ...
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical ...
Pagina 174
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
Pagina 347
... fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for ...
... fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words