A Modern Book of Esthetics: An Anthology |
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Pagina 88
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Pagina 125
There have been men who have emphasized the strictly emotional conditions aroused during the impression ; e.g. , Alison , James Mill , Burke , Guyau . There have been others without number who have thought that the intellectual forms of ...
There have been men who have emphasized the strictly emotional conditions aroused during the impression ; e.g. , Alison , James Mill , Burke , Guyau . There have been others without number who have thought that the intellectual forms of ...
Pagina 129
We are brought , indeed , to see that in esthetic impressions there are no pleasures whatever that cannot become part and ... Now if no pleasure of impression can be cut away from the rest and held to be non - esthetic , then it is ...
We are brought , indeed , to see that in esthetic impressions there are no pleasures whatever that cannot become part and ... Now if no pleasure of impression can be cut away from the rest and held to be non - esthetic , then it is ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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able action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition kind knowledge less lines living look material matter means ment merely mind moral move movement nature necessary never object organic ourselves painting particular person physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result satisfaction seems seen sense significance soul speak spirit theory things thought tion true truth unity whole