A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 155
... knowledge , according to Croce , has two forms : " It is either intuitive knowledge or logical knowledge ; knowledge ob- tained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge ...
... knowledge , according to Croce , has two forms : " It is either intuitive knowledge or logical knowledge ; knowledge ob- tained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge ...
Pagina 177
... Intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual func- tion ; indifferent to later empirical discriminations , to reality and to unreality , to formations and apperceptions of space ...
... Intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual func- tion ; indifferent to later empirical discriminations , to reality and to unreality , to formations and apperceptions of space ...
Pagina 209
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object known ...
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object known ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words