A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 278
... lines by re- moving them from a picture and putting them by them- selves . For lack of context , we have no notion of the ob- jects which these lines helped to depict : We are treating them as unrepresentational lines , as lines that ...
... lines by re- moving them from a picture and putting them by them- selves . For lack of context , we have no notion of the ob- jects which these lines helped to depict : We are treating them as unrepresentational lines , as lines that ...
Pagina 280
... line may per- form - that of suggesting motion . The eye has a tendency to follow lines and to travel with greater or less ease ac- cording to the kind of line . It would be childish to claim . that any very extensive spiritual ...
... line may per- form - that of suggesting motion . The eye has a tendency to follow lines and to travel with greater or less ease ac- cording to the kind of line . It would be childish to claim . that any very extensive spiritual ...
Pagina 281
An Anthology Melvin Miller Rader. our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when diffi- cult progress over broken lines ...
An Anthology Melvin Miller Rader. our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when diffi- cult progress over broken lines ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words