A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxvi
... look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 The Theory of ...
... look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 The Theory of ...
Pagina 48
... look of necessity , " says Wallenstein , and " Life itself is stern , " cries Schiller in the prologue to the same drama . But- " art is brighter and more cheerful . " The effect of play is brightness and freedom - so much so that we ...
... look of necessity , " says Wallenstein , and " Life itself is stern , " cries Schiller in the prologue to the same drama . But- " art is brighter and more cheerful . " The effect of play is brightness and freedom - so much so that we ...
Pagina 306
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words