A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 297
... merely imagine things of this sort . Here again two possibilities present themselves . The imi- tation may be voluntary , i.e. , I , too , should like to have the feeling of freedom , assurance , and pride , which the other person has ...
... merely imagine things of this sort . Here again two possibilities present themselves . The imi- tation may be voluntary , i.e. , I , too , should like to have the feeling of freedom , assurance , and pride , which the other person has ...
Pagina 336
... mere realism . of foreshortening and of the boldest vertical perspective may well have made the naïve Christian of the ... merely cranky , eccentric , pathological . The exceptional element in tragic figures - that which makes them so ...
... mere realism . of foreshortening and of the boldest vertical perspective may well have made the naïve Christian of the ... merely cranky , eccentric , pathological . The exceptional element in tragic figures - that which makes them so ...
Pagina 471
... Mere change without conservation is a passage from nothing to nothing . Its final integration yields mere transient non- entity . Mere conservation without change cannot con- serve . For after all , there is a flux of circumstance , and ...
... Mere change without conservation is a passage from nothing to nothing . Its final integration yields mere transient non- entity . Mere conservation without change cannot con- serve . For after all , there is a flux of circumstance , and ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words