A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 297
... movement the more involuntary will be the imita- tion . Conversely , the more involuntary the action is , the more is the observer wholly in the seen movement . But now , when I am completely engrossed by the contem- ' plation of the ...
... movement the more involuntary will be the imita- tion . Conversely , the more involuntary the action is , the more is the observer wholly in the seen movement . But now , when I am completely engrossed by the contem- ' plation of the ...
Pagina 299
... movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own . The only difference seems to be that I now am conscious of experiencing and ...
... movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own . The only difference seems to be that I now am conscious of experiencing and ...
Pagina 300
... movement certainly does not consist in having a visual image of the movement , but consists in the experiencing of kinesthetic sensations , such as the sensations of muscle tension , friction of joints and so forth , as they occur in ...
... movement certainly does not consist in having a visual image of the movement , but consists in the experiencing of kinesthetic sensations , such as the sensations of muscle tension , friction of joints and so forth , as they occur in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words