A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 330
... nature , never pretends to be nature and strongly resists any confusion with nature . It emphasizes the art - character of Art : " artistic " is synonymous with " anti - realistic " ; it explains even sometimes a very marked degree of ...
... nature , never pretends to be nature and strongly resists any confusion with nature . It emphasizes the art - character of Art : " artistic " is synonymous with " anti - realistic " ; it explains even sometimes a very marked degree of ...
Pagina 331
... nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres- sionism - even the ...
... nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres- sionism - even the ...
Pagina 448
... natural existence that links art with nature ; on the contrary , it usually holds that science or knowledge is the only authentic expression of nature , in which case art must be an arbitrary addition to nature . But modern thought also ...
... natural existence that links art with nature ; on the contrary , it usually holds that science or knowledge is the only authentic expression of nature , in which case art must be an arbitrary addition to nature . But modern thought also ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words