A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 288
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
Pagina 292
... object or " opposite ” it . This means first of all that I may not only feel joyful or pleased , but may feel ... object of the esthetic enjoyment and the en- joyment itself . Let us stress this first : The above men- tioned feelings ...
... object or " opposite ” it . This means first of all that I may not only feel joyful or pleased , but may feel ... object of the esthetic enjoyment and the en- joyment itself . Let us stress this first : The above men- tioned feelings ...
Pagina 293
... object of my joy . But this we are not discussing . We are now only concerned with the immediately ex- perienced activity , the success , the power , freedom , and so forth . The term " object " of joy is taken here in an entirely ...
... object of my joy . But this we are not discussing . We are now only concerned with the immediately ex- perienced activity , the success , the power , freedom , and so forth . The term " object " of joy is taken here in an entirely ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words