A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 181
... once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst generali- ties and symbols , as within a tilt - yard in which our ...
... once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst generali- ties and symbols , as within a tilt - yard in which our ...
Pagina 383
... once more , O ye Laurels , and once more Ye Myrtles brown , with Ivy never - sear , 2 Although the experience here described is readily recognizable , this account is admittedly speculative . The argumentative will need no prompting to ...
... once more , O ye Laurels , and once more Ye Myrtles brown , with Ivy never - sear , 2 Although the experience here described is readily recognizable , this account is admittedly speculative . The argumentative will need no prompting to ...
Pagina 401
... Once more existence becomes self - conscious and now , de- tached from the land and the dream and the mystery , stands questioning , and wrestles for an expression of its new duty - as at the beginning of Baroque when Michelangelo , in ...
... Once more existence becomes self - conscious and now , de- tached from the land and the dream and the mystery , stands questioning , and wrestles for an expression of its new duty - as at the beginning of Baroque when Michelangelo , in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words