A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 232
... organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle of hierarchy ; and evolution . I do not assert that there are no more principles ...
... organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle of hierarchy ; and evolution . I do not assert that there are no more principles ...
Pagina 393
... organic - logical sequel , fulfillment and finale of a culture ? For every Culture has its own Civilization . In this work , for the first time the two words , hitherto used to express an indefinite , more or less ethical , distinction ...
... organic - logical sequel , fulfillment and finale of a culture ? For every Culture has its own Civilization . In this work , for the first time the two words , hitherto used to express an indefinite , more or less ethical , distinction ...
Pagina 414
... organic func- tions : they even created on canvas or in metal mechanical equivalents of organic objects : Léger painted human figures that looked as if they had been turned in a lathe , and Duchamp - Villon modeled a horse as if it were ...
... organic func- tions : they even created on canvas or in metal mechanical equivalents of organic objects : Léger painted human figures that looked as if they had been turned in a lathe , and Duchamp - Villon modeled a horse as if it were ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words