A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 196
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
Pagina 255
... pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the representative element , and so when they discuss pictures they talk about the shapes of ...
... pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the representative element , and so when they discuss pictures they talk about the shapes of ...
Pagina 352
... picture in the new manner with one in the manner of 1860. We will begin , in a simple way , by comparing the objects represented in both of them , per- haps a man , a house , a mountain . Soon we notice that the artist of 1860 has tried ...
... picture in the new manner with one in the manner of 1860. We will begin , in a simple way , by comparing the objects represented in both of them , per- haps a man , a house , a mountain . Soon we notice that the artist of 1860 has tried ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words