A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 379
... production in full swing , in the momentum of success . ... A background fading into nothingness , either as rest or as a closed circle of automatic movements , is the first condition of the ecstasy of mental production . The second is ...
... production in full swing , in the momentum of success . ... A background fading into nothingness , either as rest or as a closed circle of automatic movements , is the first condition of the ecstasy of mental production . The second is ...
Pagina 413
... production must be to increase the province of the designing room and the laboratory , re- ducing the scale of the production , and making possible an easier passage back and forth between the designing and the operative sections of the ...
... production must be to increase the province of the designing room and the laboratory , re- ducing the scale of the production , and making possible an easier passage back and forth between the designing and the operative sections of the ...
Pagina 449
... production and consumption were lacking ; producers had a virtually servile status . Because of the close connection between production and enjoyable fruition , the Greeks in their perceptive uses and enjoyments were never wholly ...
... production and consumption were lacking ; producers had a virtually servile status . Because of the close connection between production and enjoyable fruition , the Greeks in their perceptive uses and enjoyments were never wholly ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words