A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 256
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure pure esthetic ecstasy . But at moments I do ...
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure pure esthetic ecstasy . But at moments I do ...
Pagina 257
... pure esthetic emotion , they confess that they understand music imperfectly or not at all . They recognize quite clearly that there is a difference between the feeling of the musician for pure music and that of the cheerful concert ...
... pure esthetic emotion , they confess that they understand music imperfectly or not at all . They recognize quite clearly that there is a difference between the feeling of the musician for pure music and that of the cheerful concert ...
Pagina 278
... pure forms . The most obvious and easily distinguishable pure forms which painting employs are line , mass , color relations , from which are occasioned motion , pattern , and rhythm , with their accessories balance and thrust . I call ...
... pure forms . The most obvious and easily distinguishable pure forms which painting employs are line , mass , color relations , from which are occasioned motion , pattern , and rhythm , with their accessories balance and thrust . I call ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words