A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Risultati 1-3 di 27
Pagina 234
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its characteristic shape ...
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its characteristic shape ...
Pagina 235
... shape and proportions in architecture and sculpture ; the recurrence of the theme in music ; the recurrence of the ... shape appears in a different color , or a color appears in different degrees of saturation or brightness ; or in ...
... shape and proportions in architecture and sculpture ; the recurrence of the theme in music ; the recurrence of the ... shape appears in a different color , or a color appears in different degrees of saturation or brightness ; or in ...
Pagina 306
... shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking about ourselves , and cease thinking about our- selves exactly in proportion as we are thinking of the moun- tain's shape . What becomes ...
... shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking about ourselves , and cease thinking about our- selves exactly in proportion as we are thinking of the moun- tain's shape . What becomes ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words