A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 48
... significance which bears out our analysis . Freed from the causal nexus of the world's events , play is a world to itself , into which we enter voluntarily and come out when we will . There we seem freed from necessity because in ...
... significance which bears out our analysis . Freed from the causal nexus of the world's events , play is a world to itself , into which we enter voluntarily and come out when we will . There we seem freed from necessity because in ...
Pagina 253
... significance . If this were so , it would be permissible to inquire whether it was the forms themselves or our ... significance of its own ; that significance is unrelated to the significance of life . In this world the emotions of life ...
... significance . If this were so , it would be permissible to inquire whether it was the forms themselves or our ... significance of its own ; that significance is unrelated to the significance of life . In this world the emotions of life ...
Pagina 256
... significance of its own and no relation whatever to the significance of life ; and in those moments I lose myself in that infinitely sublime state of mind to which pure visual form transports me . How inferior is my normal state of mind ...
... significance of its own and no relation whatever to the significance of life ; and in those moments I lose myself in that infinitely sublime state of mind to which pure visual form transports me . How inferior is my normal state of mind ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words