Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris

Copertina anteriore
University of California Press, 26 ott 1999 - 289 pagine
Founded in the final years of the Enlightenment, the Louvre—with the greatest collection of Old Master paintings and antique sculpture assembled under one roof—became the model for all state art museums subsequently established. Andrew McClellan chronicles the formation of this great museum from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire. More than a narrative history, McClellan's account explores the ideological underpinnings, pedagogic aims, and aesthetic criteria of the Louvre. Drawing on new archival materials, McClellan also illuminates the art world of eighteenth-century Paris.
 

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Indice

DAngivillers Louvre Project
49
The Revolutionary Louvre
91
The Musée Central des Arts I2 4
125
Alexandre Lenoir and the Museum of French Monuments
155
Conclusion
198
Arrangement of Paintings in
212
Bibliography
270
Copyright

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Informazioni sull'autore (1999)

Andrew McClellan is Associate Professor and Chair in the Department of Art and Art History at Tufts University.

Informazioni bibliografiche